These guys amaze me - instead of a fourteen year layoff it sounds more like 14 days where some transformation occurred and they were granted super rockin'powers. They always rocked with an abandon that most bands could only hope to approach and my goodness they sound great here. These guys did what conventional wisdom dictates can't happen in music as they took a hiatus for a very long time and came back stronger and better. This record is no “return to their roots.” It is instead a creative leap forward, showing the band at its peak, not on some sort of self-absorbed nostalgia trip. MOONSHINE GUY opens the record, full of bravado and bravery, driven by a character who “yells and he roars / likes The Stones, hates the Doors.” Whilst MONA LEE is certainly as exciting as anything the band has ever recorded, but it’s hard to pick a standout track on the record - they are all that good. Hodges’ guitar work has never been better, full of style and inspired originality, while Ringenberg rocks like he is still 18. If you only buy one album this year this should be the one.
Buy It
Funny Toon


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