Think of Mojo as a real working class guy. Telling it like it really is. Kinda like Bruce Springsteen without the stick up his ass. I loved Mojo and I am still eagerly waiting for his comeback. If ever music needed Mojo it's now. Hillbilly, rockabilly, politically incorrect and a musician that really speaks his mind and doesn't give a flying fuck what anyone thinks. Yeah, gotta love that. We need that now.
I have done several posts about Mojo over the years just cause you gotta love the scoundrel. I guess I'm making it my mission to make sure that the word of Mojo gets spread.

Mojo Nixon and Skid Roper wound up cutting ties in late 1989; Nixon wanted to form a full backing band, while Roper left the touring life to pursue a solo career that resulted in two albums for Triple X. For his first solo album, Nixon assembled an all-star cowpunk band featuring Country Dick Montana (Beat Farmers), John Doe (X), Eric Ambel (Del Lords), and Bill Davis (Dash Rip Rock). The result, Otis, was released in 1990 and caused a stir with the notorious "Don Henley Must Die," a rip on the Eagles frontman turned solo artist. (Two years later, the initially offended Henley shocked Nixon by climbing on-stage in Austin, TX, to perform the song with him; Nixon subsequently called off his fatwa.) For fans of good old in-your-face iconoclastic rock that doesn't take itself too seriously, this will fill the bill. Now I did talk about this album a couple of years ago and even offered a download of the whole album but you gotta keep it out there for the people and maybe have them running around trying to track down this out of print gem. Mojo is Mark Twain, Lou Reed, Hunter S. Thompson, Frank Zappa and Howlin' Wolf rolled up into one big burrito and dosed with LSD. For you youngsters just discovering Mojo, start with any Mojo album really, then proceed to ask yourself why there isn't anybody else these days with the same mad rage making music.
Funny Toon
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